| Artists, Critics, Context: Readings in and Around American Art since 1945 |
Fabozzi, Paul F. |
2001 |
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| Zen in the Art of Painting |
Brinker, Helmut |
1988 |
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| The Artist’s Reality: Philosophies of Art |
Rothko, Mark |
2006 |
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| Art and Meta-Art. |
ADRIAN, Pic |
1990 |
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| Robert Frost: The Ethics of Ambiguity |
Timmerman, John H. |
2002 |
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| Inventing the Modern Artist: Art and Culture in Gilded Age America |
Burns, Sarah |
1999 |
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| A Painter of Darkness: Leon Golub and His Times |
Marzorati, Gerald |
1992 |
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| The Dialectic of Decadence: Between Advance and Decline in Art (Asthetics Today) |
Kuspit, Donald |
2000 |
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| Discussions in Contemporary Culture |
Foster, Hal |
1998 |
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| The Artist’s Voice: Talks With Seventeen Modern Artists |
Kuh, Katherine |
2000 |
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| They Speak by Silences |
Carthusian, A |
2006 |
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| Overcoming the Problematics of Art: The Writings of Yves Klein |
Klein, Yves |
2007 |
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| And Our Faces, My Heart, Brief as Photos |
Berger, John |
1992 |
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| Why Art Cannot Be Taught: A Handbook for Art Students |
Elkins, James |
2001 |
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| Figuring It Out |
Renfrew, Colin |
2003 |
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| Discourses on Art: New edition (Paul Mellon Centre for Studies in Britis) |
Reynolds, Sir Joshua |
1997 |
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| Writing and Difference (Routledge Classics) |
Derrida, Jacques |
2001 |
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| The Postmodern Arts: An Introductory Reader (Critical Readers in Theory and Practice) |
Wheale, Nigel |
1995 |
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| Mastering Layout: On the Art of Eye Appeal |
Stevens, Mike |
1986 |
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| The Castle of Crossed Destinies |
Calvino, Italo |
1979 |
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| Dialogues on Art |
Roditi, Edouard |
1980 |
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| Art as Language: Access to Emotions and Cognitive Skills through Drawings |
Silver, Rawley |
2001 |
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| To Destroy Painting |
Marin, Louis |
1995 |
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| Visual Thinking: Thirty-Fifth Anniversary Printing |
Arnheim, Rudolf |
2004 |
|
| Joseph Brodsky: Conversations (Literary Conversations Series) |
Brodsky, Joseph |
2003 |
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| The Geography of the Imagination: Forty Essays (Nonpareil Book, 78) |
Davenport, Guy |
1997 |
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| To Begin Where I Am: Selected Essays |
Milosz, Czeslaw |
2002 |
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| Solitude: A Return to the Self |
Storr, Anthony |
2005 |
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| Dialogues With Marcel Duchamp (Da Capo Paperback) |
Cabanne, Pierre |
1987 |
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| Man’s Search for Himself |
May, Rollo |
2009 |
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| New Seeds of Contemplation |
Merton, Thomas |
2007 |
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| Aesthetics: Key Concepts in Philosophy |
Herwitz, Daniel |
2008 |
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| Life Is Real Only Then, When I Am (Compass) |
Gurdjieff, G. I. |
1999 |
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| The Transfiguration of the Commonplace: A Philosophy of Art |
Danto, Arthur C. |
1983 |
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| Grammars of Creation |
Steiner, Mr. George |
2002 |
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| Introduction to Existentialism (Midway Reprint) |
Grene, Marjorie |
1984 |
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| Permanent Red: Essays in Seeing |
Berger, John |
1960 |
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| Picture This: How Pictures Work |
Bang, Molly |
2000 |
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| Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology |
Bateson, Gregory |
2000 |
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| How To Imagine: A Narrative On Art And Agriculture |
Baruchello, Gianfranco and Martin, Henry |
1983 |
|
| BENEATH THE WHEEL |
Hesse, Herman |
1981 |
|
| Soren Kierkegaard: Fear and Trembling and The Sickness Unto Death |
Lowrie, Translator Walter |
1970 |
|
| Rodin. A Biography |
Grunfeld, V Frederic |
1987 |
|
| The Blog: Bad Time for Poetry (Artists and Writers Series) |
Celaya, Enrique Martinez |
2010 |
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| Enrique Martinez Celaya: Collected Writings and Interviews, 1990-2010 |
Celaya, Enrique Martinez |
2010 |
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| Philosophy of Natural Science |
Hempel, Carl G. |
1966 |
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| Pragmatism (Works of William James) |
James, William |
1975 |
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| Kant’s Critiques: The Critique of Pure Reason, The Critique of Practical Reason, The Critique of Judgement |
Kant, Immanuel |
2008 |
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| Modern Man in Search of a Soul (Harvest Book) |
Jung, C.G. |
1955 |
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| Strangers to Ourselves |
Kristeva, Julia |
1994 |
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| Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Centennial Book) |
Jay, Martin |
1994 |
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| George Santayana- The Sense of Beauty Being the Outlines of Aesthetic Theory |
Santayana, George |
2009 |
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| Beyond Recognition: Representation, Power, and Culture |
Owens, Craig |
1994 |
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| Thousand Plateaus: Capitalism and Schizophrenia |
Deleuze, Gilles |
1987 |
|
| Minimal Art: The Critical Perspective |
Colpitt, Frances |
2000 |
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| Entropy and Art: An Essay on Disorder and Order, 40th Anniversary Edition |
Arnheim, Rudolf |
2010 |
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| Nietzsche’s Philosophy of Art |
Young, Julian |
1994 |
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| Clement Greenberg, Late Writings |
Greenberg, Clement |
2007 |
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| Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko |
Rosenblum, Robert |
1978 |
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| The Essential Gombrich: Selected Writings on Art and Culture |
Gombrich, E. H.; Woodfield, Richard; Gombrich, Ernst Hans Josef |
1996 |
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| Existentialism from Dostoevsky to Sartre (Meridian) |
Kaufmann, Walter |
1975 |
|
| What Do Pictures Want?: The Lives and Loves of Images |
Mitchell, W. J. T. |
2006 |
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| The Dehumanization of Art and Other Essays on Art, Culture, and Literature (Princeton Paperbacks, 128) |
Gasset, Jose Ortega y |
1968 |
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| What Is Art? |
Tolstoy, Leo |
2010 |
|
| The Germans and Their Art: A Troublesome Relationship |
Belting, Hans |
1998 |
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| The Power of the Center: A Study of Composition in the Visual Arts, 20th Anniversary Edition |
Arnheim, Rudolf |
2009 |
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| Culture and Value |
Wittgenstein, Ludwig |
1984 |
|
| Painting as an Art |
Wollheim, Richard |
1990 |
|
| The Shape of Content (C.E.Norton Lectures) |
Shahn, Ben |
1992 |
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| Less Than One: Selected Essays |
Brodsky, Joseph |
1987 |
|
| The Anti-Aesthetic: Essays on Postmodern Culture |
Foster, Hal |
2002 |
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| Art After Modernism: Rethinking Representation (Art Criticism and Theory) |
Wallis, Brian |
1992 |
|
| The Art Spirit |
Henri, Robert |
1984 |
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| Art & Fear: Observations On the Perils (and Rewards) of Artmaking |
Bayles, David |
2001 |
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| Concerning the Spiritual in Art |
Kandinsky, Wassily |
1977 |
|
| The Doors of Perception and Heaven and Hell (P.S.) |
Huxley, Aldous |
2009 |
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| Art as Experience |
Dewey, John |
2005 |
|
| The Gift: Creativity and the Artist in the Modern World (Vintage) |
Hyde, Lewis |
2007 |
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| Genius Decision: The Extraordinary and the Postmodern Condition, second, revised and expanded edition |
Ottmann, Klaus |
2011 |
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| The View From The Studio Door: How Artists Find Their Way In An Uncertain World |
Orland, Ted |
2006 |
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| Trust the Process: An Artist’s Guide to Letting Go |
McNiff, Shaun |
1998 |
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| Art & Physics: Parallel Visions in Space, Time, and Light (P.S.) |
Shlain, Leonard |
2007 |
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| The Principles of Uncertainty |
Kalman, Maira |
2009 |
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| Inside the Painter’s Studio |
Fig, Joe |
2009 |
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| The Object Stares Back: On the Nature of Seeing |
Elkins, James |
1997 |
|
| The Shape of a Pocket |
Berger, John |
2003 |
|
| The Hidden Sense: Synesthesia in Art and Science (Leonardo Books) |
Campen, Cretien van |
2010 |
|
| From Head to Hand: Art and the Manual |
Strauss, David Levi |
2010 |
|
| The Craftsman |
Sennett, Prof. Richard |
2009 |
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| Learning Mind: Experience into Art |
Jacob, Mary Jane |
2010 |
|
| Aesop’s Mirror |
Huggins, Maryalice |
2010 |
|
| Helmholtz: From Enlightenment to Neuroscience |
Meulders, Michel |
2010 |
|
| Ideas that Matter: The Concepts that Shape the 21st Century |
Grayling, A. C. |
2010 |
|
| How to See a Work of Art in Total Darkness |
English, Darby |
2010 |
|
| Subject to Display: Reframing Race in Contemporary Installation Art |
González, Jennifer A. |
2011 |
|
| Deleuze and Contemporary Art (Deleuze Connections) |
Zepke, Stephen |
2010 |
|
| Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki |
Onians, John |
2008 |
|
| The Art Instinct: Beauty, Pleasure, and Human Evolution |
Dutton, Denis |
2008 |
|
| This Is Not a Pipe |
Foucault, Michel |
2008 |
|
| Inside the White Cube: The Ideology of the Gallery Space |
O’Doherty, Brian |
2000 |
|
